ALOISE
THE SOLAR RICOCHET

The summer of 2012 will witness one of the greatest events ever organized in honor of the oeuvre of Aloïse (1886-1964), an Art Brut creator that Jean Dubuffet, originator of the very concept, held in highest esteem. The two upcoming Aloïse. The Solar Ricochet (Aloïse. Le ricochet solaire) exhibitions are being jointly presented by the Collection de l'Art Brut and the Cantonal Fine Arts Museum of Lausanne, in conjunction with the online publication of a catalogue raisonné of Aloïse's oeuvre.

The Collection de l'Art Brut is presenting Aloïse. The Solar Ricochet twenty-six years after its first show in Aloïse's honor. On display will be the initial group of works by this Art Brut creator, as assembled by Jean Dubuffet, thus offering a historical overview of Aloïse's production. Thanks to the donation that the French painter Dubuffet made to the City of Lausanne in 1971, marking the origin of the Collection de l'Art Brut, this museum boasts a major body of works by Aloïse. These holdings have since been further enlarged thanks to subsequent donations by Professor Hans Steck, director of the University Psychiatric Hospital of Cery, near Lausanne, from 1936 to 1960, by his wife Eva Steck, by Jean Planque and by Juliette Narbel , a nurse at the La Rosière psychiatric institution in Gimel.

Jacqueline Porret-Forel, a general practitioner established in Morges, near Lausanne, met Aloïse at the La Rosière asylum of the Cery Psychiatric Hospital; frequent meetings between the two allowed her to become well acquainted with Aloïse. Five years later, triggering an encounter that would prove decisive for Art Brut, Jacqueline Porret-Forel invited Jean Dubuffet to have a look at Aloïse's work. Dubuffet who, barely a year ago, had begun searching for creations free of any cultural or social conditioning, immediately understood the exceptional quality of the oeuvre being presented to him. In 1948, he mounted a show of the drawings in the basement of Galerie René Drouin, turning Aloïse into a figure emblematic of Art Brut itself. Enthused by this discovery, Dubuffet would return to Gimel, near Lausanne, in Switzerland on several occasions to visit Aloïse and, over an almost twenty-year period, to follow her oeuvre's evolution.

Jean Dubuffet applied a meticulous and demanding eye to selecting certain pieces from among those belonging to Dr. Jacqueline Porret-Forel, who later donated them to him. He was thus able to build up a body of works unique in the world, to become the core of the Collection de l'Art Brut holdings. He considered "Aloïse's vast tapestry with its thousands of facets" as a splendid example of an Art Brut creation—fully feminine, and providing her with "a way of showing her feeling of the impermanence, the relativity, the actual non-existence of all beings."

Ever since 1976, when the Collection de l'Art Brut was inaugurated, the works by Aloïse have remained on permanent display here. For the Aloïse. The Solar Ricochet show presents nearly one hundred twenty works, including drawings, writings, photographs, archival documents, and a film presenting a unique view of the creator at work. Moreover, several of Aloïse's large-scale pieces will be displayed so as to be seen in their totality. In one room, for the first time visitors will be able to peruse twenty-seven of Aloïse's drawing notebooks, together with writings which, in some cases, will be read out loud and thus aired for all to hear.

Parallel exhibition at the Musée cantonal des Beaux-Arts, from June 2 to August 26, 2012, http://www.mcba.ch/.