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Home > Current events > Karl Waldmann And Constructivism

KARL WALDMANN AND CONSTRUCTIVISM

FROM NOVEMBER 12 2005 TO FEBRUARY 4 2006

An important constructivist rediscovered

KARL WALDMANN, Amtsgericht Wuppertal /Court of Wuppertal. Collage on paper
31,5 x 21,5 cm. Photo Pascal Polar

 

GALERIE PASCAL POLAR

108 chaussée de Charleroi
1060 Bruxelles

INFORMATION:

Tel: 32/2/5378136
Fax: 32/2/5378161
Email: ppolar@skynet.be
Site : www.pascalpolar.be

OPENING HOURS:

Wednesday to Saturday from 2pm to 7pm.
and by appointment

ADMISSION FEES:

3 Euros

CURATOR

For the the Bodenschatz collection:
Patrick Amine

PRESS CONTACTS:

Pascal Polar
Galerie Pascal Polar
Tel. 32 2 537 81 36
Email: ppolar@skynet.be

Karl Waldmann Museum
Email : info@karlwaldmannmuseum.com
Site : karlwaldmannmuseum.com


Karl Waldmann, born in the 1880s and died in 1958 in the USSR in a working camp, was one of constructivism's last discoveries and undoubtedly a very important one.


The man and his work

It is only after the fall of the Berlin Wall that he was rediscovered through 50 of his works bought from a second-hand street dealer. A more thorough search led to the discovery of other works in Germany, Italy, Belgium, France, Ukraine and the U.S.A. Specialists went on to identify close to 900 works, dating from 1915 to the 50’s, most of them collages or photomontages. Unfortunately, we know very little about his personal life or his personality, and there are no traces of him in the art revues from his time. His familly, found in Dresden in 1989 and since deceased, contended he refused to exhibit for « mental reasons » - but it was probably more due to « security reasons », during the Nazi years and after that under the Stalinist censorship. Another hypothesis is that he was not “purely” an artist but had a job as his principal activity - as an architect for example - and devoted his spare time to his artistic creations


From abstract compositions to constructivism

In its forms Waldman’s art is very heterogeneous, and has never been assimilated to one, unique movement. His early pieces were abstract but very soon his works were influenced by Constructivism, Dadaism and even Surrealism. His forms are derived from Constructivism, with the destruction of the classical image in a dynamic vision. Nevertheless, his will to integrate the events of his time into an acid and politicized vision in his photomontages puts him more in line with the Dadaist movement.
His collages are scathing reactions to the absurd and untolerable policies of men such as Hitler or Stalin. He criticizes the events of his time through political attacks that unveil his exacerbated sensibility and his ironic vision. Consequently he was compared to artists such as Schwitters, Heartfield, Haussmann, but also Rodchenko and Maiakowski. His art involves cinema, politics, literature, theater, developing the themes of the city, machines, actresses. His is a very rich work that has not yet been studied in depth.


Constructivist works from the Bodenschatz collection in Basel

The first floor of the gallery presents several outstanding works of Russian Art, from the beginning of the century to the Posters of "Socialist Realism". They come from the Bodenschatz collection, gathered in Basel for over 30 years. It is hardly known and yet it includes rare posters by Malévitch: The Loubok, a few works from the beginnning of the century on the Russian loans - some constructivist works, paintings and drawings; and in particular an astonishing and rare choice of the poster artists of Socialist Realism: Ivanov V, Deni V, Miakovski, Malevitch, Filonov, Korovine, Sorionov, Benois, Nicolai, Udalzova, Otrochenko, Korovine Mansourov, Dimitrienko, Efimov Gorskin, Lebedev, Koretsky, etc.


Illustration: Malevich Loubok Poster 56x38 cm Photo Pascal Polar


PUBLICATION

Karl Waldmann, 23 x 17 cm, 160 pages, 181 colour reproductions, texts in French, English, German, 35 €.

To see more illustrations, click on VERSION FRANCAISE at the top of this page

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