The exhibit space has become the location of a pictorial research in which Yan Pei-Ming creates his portraits directly, without touching them up afterwards. Red or black portraits that do not rest on resemblance but rather on the idea of humanity and of the universal portrait.
Yan Pei-Ming, children Portrait, 1999, oil on canvas, 150 x 120 cm
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monography coedition des Presses du réel, du musée des beaux-arts de Dijon, du musée des beaux-arts et d'archéologie de Besançon, des musées d'art et d'histoire de Genève, du Consortium et du Frac Champagne-Ardenne
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